“When done properly, the cause of contributing to a better world will spark and harness optimism, enthusiasm and idealism from professionals and citizens alike – not just for the energy transition but also for tackling the ills of the present economy. We need new beginnings. In a recent Press statement, the European Commission’s President, Ursula von der Leyen, presented “The New European Bauhaus” movement. ), The Critical Makers Reader, (Un)Learning Technology, The Institute of Network Cultures, Amsterdam, 2019. All Rights Reserved. in dialogue with users, understanding digital interactive technologies and storytelling as methodologies to achieve this, not far from what today is known as ‘design thinking’).”[5]. The European University Institute in Florence, founded in 1972, exclusively focusses on post-graduate teaching and research in the social sciences, excluding the arts and humanities completely. We should also extend this approach to the digital realm and apply ‘radical care’ methods to AI, blockchain and other ‘big data’ solutions. Instead of a mechanical implementation of ‘digitalization’ to all contexts, a more topical, tool-centred approach could be developed (one in which digital tools can be put aside once issues are resolved). Instead, we should aim for a granular-scale repairing of a world that is broken in so many respects, all the while treating this reparative art and design as truly transformative. über die Grenzen Europas hinauswachsen und auch die Menschen dort erreichen. Existing national art academies, design schools, technical universities and humanities departments have so far failed to come up with such a transnational concept. [4] Pelle Ehn, Manifesto for a Digital Bauhaus , Digital Creativity, 9:4,207-217, 1998, DOI: 10.1080/14626269808567128. Critique of modernism has been the task of the critical post-war 1968 generation. ... Bauhaus enthusiasts might be disappointed to … Terms & Conditions. For which he is already trying to find sponsoring, by the way. Sin embargo, de materializarse el proyecto que apoya Von der Leyen será necesariamente distinta a la Bauhaus original en su concepción, pues se trata de una iniciativa que surge de arriba a abajo y no de abajo a arriba. We invite [...]. “This is the Europeanization of a German development model,” Max Welch Guerra commented in Politico. [5] Quotes from private email exchange, November 20, 2020. © 2020 Fortune Media IP Limited. Von der Leyen will „Bauhaus-Bewegung“ für Nachhaltigkeit. There are many EU affiliated research centres, but none of them comes close to the arts. El pasado 16 de septiembre del 2020, la presidenta de la comisión europea Úrsula Van der Leyen, pronunciaba por primera vez en su discurso … It understood the need for a new form of education, especially against the intrusion of authoritarian political movements. A vastly improved search engine helps you find the latest on companies, business leaders, and news more easily. In an interview in a German book on sustainability and universal basic income, Schnellnhuber talks about his Bauhaus idea and his hobby horse; wood architecture. The president of the European Commission Ursula von der Leyen has announced plans to create a "New European Bauhaus", embracing a circular economy and strengthening the EU’s actions for sustainability, environmental and social benefits in the architecture, urbanism, engineering, arts and design sector. K3 was also born out of the first wave of mass digital and network cultures, which it wanted to imbue with a human-centred, socially aware approach. Ihr gehe es darum, das Brüsseler Klimaschutzprogramm Green Deal „in den Köpfen der Bürgerinnen und Bürger und auch in ihrem Zuhause Realität werden zu lassen“, sagte von der Leyen weiter. Instead of data protection we can argue for data prevention. If a COVID-19 vaccine does turn out to be dangerous, who’s on the hook? Gansing concludes that “because of the massification and neo-liberalization of art and design art could now be integrated as a ‘creative’ element into all subjects, while not itself being a subject of rigorous study. Today, the European Union sees a chance to create a new common aesthetic born out of a need to renovate and construct more energy-efficient buildings. Perhaps Ms von der Leyen’s “new Bauhaus” can give that abstract idea the tangible look and feel it so sorely needs. Rather it seems more like an acceleration of the already largely failed late 1990’s model. This includes the audio stems of each song, allowing the complete remixing using any element from the original edition. S&P Index data is the property of Chicago Mercantile Exchange Inc. and its licensors. 5 months ago 1news.info . [7] Criticality is something Europe should claim and be proud of. Paul Klee, Kandinsky, Anni Albers, László Moholy-Nagy, Iwao Yamawaki. From an IT perspective Schnellnhuber wooden fetish marks an interesting ‘post-digital’ turn (and let’s talk about the latest invention of fluid wood here as well). [8] The emphasis on a positive attitude runs away from very real conflicts in society that need to be faced before we can start to implement blueprints. The time for master-plans, however inclusive and participatory, is long-gone—nobody has the master-view any longer. [9] https://www.politico.eu/article/bauhaus-von-der-leyen-green-recycle/. This is the material turn in digital culture (and vice versa). It is intended to be a bridge between the world of science and technology and the world of art and culture. Diumenge, 18 d'octubre de 2020. Ursula Von der Leyen The New European Bauhaus is a creative and interdisciplinary initiative, convening a space of encounter to design future ways of living, situated at the crossroads between art, culture, social inclusion, science and technology. With this, he wants to return to a ‘polycentric’ organisation (which was destroyed by the Nazis), combining cultural theory with maker workshops that focus on materials – such as (surprise) wood. The difference is this Industry 4.0 dream that originated partly in German policy documents, tied in with a certain Make Germany Great Again idea of a modular, AI powered industry—now scaled up to the European level. How can Bauhaus 2.0 sabotage the start-up logic of scaling up, selling out and creating new monopolies? The Bauhaus was created in Weimar, Germany, in 1919, and, despite moving two separate times and eventually falling to the rabid pressure of the Nazis in 1933, it … “I want NextGenerationEU to kickstart a European renovation wave and make our Union a leader in the circular economy,” von der Leyen said. Now it's been invoked again in an unexpected context. The growing reluctance to employ facial recognition software is a brilliant example of this turn. Quotes delayed at least 15 minutes. Gansing believes K3 allowed for a new form of trans-disciplinarity to emerge, that is now the standard template for all the creative industries style educational programs that emerged in the past period. The master-apprentice approach has long been replaced by an open, networked, distributed form of learning. By Geert Lovink, first published by the Berlin magazine The Arts of the Working Class, here. And among the most famous — hence von der Leyen’s reference to it — was the original Bauhaus, which was founded in Weimar in 1919 and thrived for 14 years until the Nazis shut it down. [7] Example could be René Kemp and Joost van Haaften’s policy brief, written in response to  der Leyen’s Bauhaus proposal. The new Bauhaus is not just an environmental or economic project, “it needs to be a new cultural project for Europe. How can art education become more relevant and cease to produce precarious artists, curators and critics? The cosmopolitans had to flee for the Nazis and found themselves exiled across the world, spreading progressive concepts. Kristoffer Gansing: “Maybe the new reboot of the Bauhaus can work to correct some of this, but I have serious doubts. “ The New European Bauhaus movement is intended to be a bridge between the world of science and technology and the world of art and culture … it is about a new European Green Deal aesthetic combining good design with sustainability.” — President of the European Commission Ursula Von der Leyen https://janvaneyck.nl/site/assets/files/2899/letter_to_eu.pdf, https://waag.org/en/project/public-stack-alternative-internet, https://www.merit.unu.edu/building-back-a-better-world-a-plea-for-a-bauhaus-initiative/, https://www.politico.eu/article/bauhaus-von-der-leyen-green-recycle/. This is a time of federated networks, inclusive code and public cables with the aim to support free cooperation between a multitude of players. In order to face the urgency of the ‘stack of crises’, we should find out how to zoom out, bring in difference, question authority, work on hard problems, avoid consensus at all cost, embrace the weird, and remain paranoid first. The arts can indeed play a major role in ‘societal challenges’—as problem accelerator. TWEET SHARE Chicago, Tel Aviv, Ascona, Dessau, Kaliningrad. A new cultural project, called "New European Bauhaus", was initiated to embrace a circular economy and strength the EU’s actions for sustainability, environmental and social benefits in the architecture, urbanism, engineering, arts and design sector by the president of the European Commission Ursula von der Leyen in October 2020. We urgently need the aesthetic equivalent of Kate Raworth’s donut economy and Marleen Stikker’s vision of the alternative internet, the public stack. Coming from a deeply federated Germany where culture and education is strictly considered a matter of the Länder (states), the European Bauhaus for the 21st century should be reworked and turned into a bold blueprint. In der dritten und damit letzten Projektphase soll es schließlich um die Verbreitung der neu entwickelten Ideen gehen, denn laut von der Leyen soll das Europäische Bauhaus nicht nur innerhalb Europas entstehen, sondern Menschen auf der ganzen Welt begeistern. Dafür schwebe ihr ein „neues europäisches Bauhaus“ in Anlehnung an die bekannte Weimarer Kunstschule vor. A world served by an economy that cuts emissions, boosts competitiveness, reduces energy poverty, creates rewarding jobs and improves quality of life. Hun vil gerne skabe en ny bevægelse, hvor der tænkes æstetik og kultur med ind i den grønne omstilling af vores bygningssektor, på samme måde som det oprindelige Bauhaus kombinerede form og funktionalitet. Design and development by Roberto Picerno & Silvio Lorusso. „Der Kampf gegen den Klimawandel und der Schutz der Umwelt verlangen von uns, dass wir unsere Lebensweise überdenken“, sagte von der Leyen. While doing this, we should not get stuck at the level of identity. Brussels wants to embrace the art school's experimental approach in fight against climate change. And we need to give our systemic change its own distinct aesthetic—to match style with sustainability. Das Europäische Bauhaus sucht und gibt praktische Antworten auf die gesellschaftliche Frage, wie modernes Leben der Europäerinnen und Europäer im Einklang mit der Natur aussehen kann. It’s also said that the Berlin-based artist Olafur Elliasson was an advisor. In her inaugural State of the Union speech from September 16, 2020, she pledged to revive the historical Bauhaus – the experimental art school that married artistic form with functional design, founded a century ago in Weimar, Germany. This movement is about bringing the European Green Deal closer to people's minds and homes, and making tangible the comfort and attractiveness … It is productive force that invites us to reflect and bring in other voices. Market data provided by Interactive Data. [2] Here we see the digital and the analogue, the virtual and the real merging and colliding – overcoming old dualisms between material crafts and industrial abstractions. This is why we will set up a New European Bauhaus—a co-creation space where architects, artists, students, engineers, designers work together to make that happen. Von der Leyen’s proposal for a Bauhaus that could work on ‘creative’ solutions for the climate crisis can be traced back to the German climate researcher John Schnellnhuber. Ehn proposes to merge the hard with the soft – this time not through a modernist “solidified objectivity” but through a “sensuality in the design of meaningful interactive and virtual stories and environments.” Professor of the Copenhagen International Centre for Knowledge in the Arts and former Transmediale director Kristoffer Gansing remembers: “As a former student and employee of the K3 Malmö Digital Bauhaus I experienced both the best and worst sides of this model, which very much came out of a social-democratic and post-industrial vision of a future knowledge society. 14:06 Temps de lectura: 4 minuts Powered and implemented by Interactive Data Managed Solutions. The Bauhaus school was hugely influential on modern design. What’s important is if we’re able to organise the required multi-disciplinary forces to pull such a network of hybrid schools off the ground with a young, visionary staff, across entire Europe and beyond. Dark ecology, the critique of platform capitalism and the history of racism and colonialism will only be few of the many first year courses. In einem Gastbeitrag für die „Frankfurter Allgemeine Sonntagszeitung“ verwies von der Leyen auf das Ziel, Europa bis 2050 zum „ersten klimaneutralen Kontinent“ zu machen. Bauhaus 1.0 emerged from a similar crisis-ridden Europe. EU-KOMMISSIONEN // KRONIK – Formanden for Europa-Kommissionen, Ursula von der Leyen, har skrevet en kronik om et nyt, europæisk Bauhaus. A new European Bauhaus | Ursula von der Leyen. What von der Leyen implicitly suggests here, is that Europeans need to come up with a new institutional form that can steer the ecological and digital challenges. DESSAU, Germany — Ursula von der Leyen wants Europe to tap into its inner avant-garde. What’s important is what difference prototypes of integral education and research initiatives can make today. See how your state is doing, CA Notice at Collection and Privacy Notice, http://www.djindexes.com/mdsidx/html/tandc/indexestandcs.html. What will students make of such an Extinction Vorkurs? This is shaping the world we want to live in. Das neue Europäische Bauhaus ist eine kreative interdisziplinäre Initiative, die einen Ort der Begegnung schaffen soll, wo an der Schnittstelle von Kunst, Kultur, sozialer Inklusion, Wissenschaft und Technologie künftige Lebensweisen gestaltet werden. Contemporary arts can do a better than merely being a motor of gentrification of creative ‘smart cities’, in which real-estate is the only game in town. EU president Ursula von der Leyen wants Europe to tap into its inner avant-garde. President von der Leyen's call to use the idea of the Bauhaus and bring everyone under one roof, whether physically or digitally, is exactly what is needed now. In her inaugural State of the Union speech from September 16, 2020, she pledged to revive the historical Bauhaus – the experimental art school that married artistic form with functional design, founded a century ago in … By Geert Lovink, December 16, 2020 at 11:55 am. Get alerts on Climate change when a new story is published Get alerts [9] And lest we forget: the staff of Bauhaus 1.0 was hardly German. Kristoffer Gansing puts it this way: “What is needed of a Bauhaus in the context of extinction is primarily a reparative work. Con información de: EFE. A world where we use digital technologies to build a healthier, greener society.”. In der Gestaltungsphase soll nun das Konzept der Initiative entstehen. We need to understand the political momentum currently providing a context of urgency to found a network of experimental interdisciplinary ‘green deal’ art schools. We live in the midst of the covid pandemic and the greatest economic recession since the 1930s afterall. Plans for the New European Bauhaus were revealed by European Commission president Ursula von der Leyen in 2020 during her inaugural State of the Union address to the European parliament. However, what’s mostly remembered are the modernist architecture nightmares. Whether architects, urban planners and circular economy experts need such a green deal art school is something that needs to be discussed. [8] See Mieke Gerritzen & Geert Lovink, Made in China, Designed in California, Criticised in Europe, Design Manifesto, BIS Publishers, Amsterdam, 2020. EU-Kommissionspräsidentin Ursula von der Leyen will eine „neue Europäische Bauhaus-Bewegung“ anstoßen, um Nachhaltigkeit und Klimaschutz voranzubringen. (original here at It’s Nice That, thanks to ref. Trotz massiver Kritik wegen der Missachtung der Menschenrechte in der Türkei startet die EU einen neuen Dialog mit Ankara.

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